Проблемы литератур Дальнего Востока

Contents Issues of Far Eastern Literatures: Materials of the 11th International Scientific Cconference. June 27–29, 2024 84 Osokin Alexander (IOS RAS) The “Four Books [for] Women” (“Nü sishu” 女四書 ) is a Vivid Example of Confucian Didactic Literature Addressed to Women . . . . . . . . . . . . . . . . . . . . . . .32 Smirnova Natalia (Petrozavodsk Stsate University) Literary Evidence about the Origins of Footbinding in China. . . . . . . . . . . . . . . . . . . . .32 Stroganova Nina (Peking University) Song Gao 崧高 (Greater Odes of the Kingdom 大雅 , The Book of Songs 诗经 ) as a Prototype of Literary Message Zeng 赠 . . . . . . . . . . . . . . . . . . . . . . . . . . .33 Sun Weiwei (Pu Songling Museum) The Absent Father — In Pu Songling’s Poems of Sending Home. . . . . . . . . . . . . . . . . . . 33 Terekhov Anthony (IOM RAS)m Biography of Li He in the Manuscript “Biographies of Immortals” (“Lexianzhuan”) from the Collection of the Institute of Oriental Manuscripts, RAS. . . . . . . . . . . . . . . . . . .34 Tong Ling (Nanjing University) Song of Prince Lanling in Battle and Its Environs: Music and Dance in the Medieval China and the East Asian World. . . . . . . . . . . . . . . . . . . . . . . . . .35 Ulyanov Mark (IWL RAS) Literary Aspects in Narratives of the Chunqiu Zuozhuan (“Zuo’s Commentary on “Springs and Autumns”). . 35 Vinogrodskaya Veronika (Institute of China and Contemporary Asia RAS) Book Lists, Epithets, and Revision of Literary Classics from Tu Long 屠隆 (1543–1605) to Zhang Chao 張潮 (1650–1709?). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36 Voytishek Elena (Novosibirsk State University, IOS RAS) Entertainment in Literary Circles: Chinese “Treasure Bookshelves” in East Asian Culture. . . . . . . . . 36 Wang Ting (Novosibirsk State University) Analysis of Typical Buddhist Images and Legends in Harbin Jile Temple. . . . . . . . . . . . . . . .37 Yao Song (Novosibirsk State University) The Influence of Buddhist Literature and Translation on the Development of Classical Chinese Poetry. . . . 37 Zavidovskaya Ekaterina (Institute of China and Contemporary Asia RAS, Bryansk State University) Drama and Storytelling Genres of Early XX Century Shanghai and Suzhou on Popular Prints Collected by Russian Sinologist V. M. Alekseev (1881–1951).. . . . . . . . . . . . .38 3. THE TRENDS IN CHINESE LITERATURES OF XX AND XXI CENTURIE Alekseev Ivan (Beijing Normal University) Contexts of Contemporary Chinese Poetry: Making a Personal Catalogue . . . . . . . . . . . . . . . 39 Colangelo Lara (“G. D’Annunzio” University of Chieti-Pescara) The Symbolic Meanings of Food in Contemporary Chinese Literature: Focus on Oil and Fats. . . . . . . .4 0 Dondokova Maksara (MGIMO University) Han Dong: the Poet about Poets and Poetry . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 Dreyzis Yulia (IAAS MSU) A Case Study of Non-Translation in Contemporary Hong Kong Yue Poetry. . . . . . . . . . . . . . .41 Dugarova Irina (Buryat State University) The Image of Hong Kong in the Story “Marvels of a Floating City” by Hong Kong Writer Xi Xi. . . . . . 41 Dvortsova Aleksandra (Lugansk State Pedagogical University) Dong Qing’s Collection “Readers” as a Form of Coexistence between Television and Literature. . . . . . .42 Dyshenov Alexander( Banzarov Buryat State University) Lin Yutang and Christianity: Meta-position and “Tangle of Contradictions”. . . . . . . . . . . . . . .42