Проблемы литератур Дальнего Востока

5. Literatures of Far East & South East Asia: Past and Present Issues of Far Eastern Literatures: Materials of the 11th International Scientific Cconference. June 27–29, 2024 74 with consecutive translation into Indonesian for the convenience of non-Javanese readers. However, the next stage, film adaptation, takes the focus away from the standards of the national language and returns the recipient to Javanese specifics. The characters speak Javanese among themselves, only occasionally switching to Indonesian, to give greater authenticity to the events and immerse the viewer in the ominous atmosphere of the Javanese hinterland. The “3D” narrative belongs to the folk horror subgenre, since the setting is in the countryside, and the plot is based on strange local cults and bloody sacrifices. A set of texts about the village of spirits appeal to the fear of an inconvenient past with its old beliefs, no more compre- hensible rituals, the culture of “Javanese Islam.” In the “denigration” of Javanese cultural and ritual relics, there may also be an encrypted political subtext about the end of the era of Javacentrism. Keywords: folk-horror, Indonesian horror, KKN di desa penari, Awi Suryadi. Guryeva Anastasia (SPbSU), a.gureva@spbu.ru Image of Poet in Korean Poetical Tradition The paper aims at tracing the main aspects of the perception towards a role of a poet and of writing poetry in Korean verse with a focus on modern and contemporary poetry and in relation with poetical tradition of Korea and East Asia. It aligns some representative cases demonstrating how poetic word and related activities have been reflected in Korean poetry throughout history and makes an attempt to explain and trace the roots of the analyzed the specifics found in the texts of the 20th century. For this purpose, we will start with generalizing main points on perceiving the role of a poet and poetical text in hansi and vernacular texts of the Unified Silla and Koryo as well as Chosŏn period. The main part will base on poetical texts by Lee Yuk-sa (Lee Wŏn-rok) (1904–1944), Pak Kyoung-ni (1926–2008), Chong Hyŏn-jong (born 1939) and some other. Some of the main aspects to be analyzed are as follows: -understanding of poetry writing as a ritual act and perceiving poetical text as an instrument of a positive influence on the world; -poetical text as a part of state and diplomatic activity; — poetical text as a part of political protest; — poetical inspira- tion and other aesthetics as a subject treated in poetry. Besides the textual analysis, the paper will include materials of research of Russian, European and South Korean scholars as well as references to interviews and opinions of some poets and literary men of the second half of the 20th century officially published or expressed in a discussion with the author. Limited to a conference presentation, the paper is going to specify the main points and outline the issues to be discussed in a future research on the subject. Keywords: Image of poet, Korean pre-modern poetry, Modern and contemporary Korean poetry. Khovanchuk Olga (Far Eastern Federal University), komanchister@gmail.com The Color Context of Classical Medieval Literature Using the Example of “The Tale of Genji” by Murasaki Shikibu Medieval Japanese prose and poetry are wellknown all around the world and have been translated into many languages. The authors of novels and diaries described court life with great accuracy, so the original Japanese texts are good sources for studying the life of the aristocracy and palace etiquette. Texts are pro- vided with a lot of comments and explanations regarding the color of clothing, because without them it is difficult to understand the meaning in full. Color was considered as an integral part of the surrounding world order and not only as an external decoration. It was associated with the essence of the object and its place in space. The concept of color includes a wide context: the name, cost and origin of the source material, the method of obtaining the dye and cost, the method of dyeing, the symbolism of plants and much more. The