Проблемы литератур Дальнего Востока

Feng Menglong and his Contribution to Chinese Literature... 20 Issues of Far Eastern Literatures: Materials of the 11th International Scientific Cconference. June 27–29, 2024 Cheng Guofu (Jinan University), tchenggf@jnu.edu.cn A Study on Feng Menglong’s Selected Works of Sanyan in the Late Ming and Early Qing Dynasties The so-called selection work refers to the text formed by selecting according to certain selection criteria and rearranging the order of the original work, appearing in the form of a collection of works. Selected work is a unique form of criticism that has had a significant impact on literary creation at that time and later. The Sanyan compiled by Feng Menglong had a wide and profound impact after the end of the Ming Dynasty, with various selected editions appearing. Among them, the most influential one was Jinguqiguan. This article mainly studies the selected versions of the Sanyan in the late Ming and early Qing dynasties. Firstly, count the number of selected editions of Sanyan during this period. According to statistics, it was found that during this period, there were selected editions such as Jinguqiguan, Jueshiyayan, Jinguchuanqi, and Jingshixuanyan. This article studies the compilation and publication of these selected books. Secondly, combining the social reality, cultural background, and literary concepts, analyze the reasons for the emer- gence of multiple selected works of Sanyan in the late Ming and early Qing dynasties. Thirdly, summarize the overall characteristics presented by the selected works, explain the textual differences between the selected works and the original works, and explore the evolution of novel concepts and cultural trends in the late Ming and early Qing dynasties through the selected works. Finally, analyze the impact of the selec- tion works of the Sanyan. . Keywords: Feng Menglong, sanyan, Chinese literature, Ming-Qing literature. Fu Yuanfeng (Nanjing university), f5464@nju.edu.cn Revelations of Feng Menglong’s “Three Words” to Contemporary Art The aesthetics embodied in Feng Menglong's literary world can be summarized as "daily life aesthetics". Ma Lanhua's film "The Fourth Song" (adapted from the novel of the same name in "Three Words" edited by Feng Menglong) was screened at the First Youth Film Festival in 2019. It is a noteworthy visual event about ruins and daily life. The processing of visual images in Ma Lanhua's films is a process of "imita- tion" of the ruins of the contemporary soul, and it is also a pioneering action in expressing daily life. The background of the ruins of "Scrooge" is a huge cooling tower. At the end of the film, this tower distorts the image of collapse, symbolizing the empty fruit of all wealth grabs. The thief Fourth Song provided the power to dismantle the materialistic era of wealth. In terms of aesthetics, the film can see the essence of the aesthetics of Feng Menglong's novels, which is the ennui of losing social ambition and moral atten- tion. As one of the important elements of urban aesthetics in Feng Menglong's novels, burnout aesthetics provides good inspiration for the development of contemporary literature and art. Song Si is the spiritual medium of Ma Lanhua's image. With him, the daily life experiences of the two eras are effectively com- municated. The obvious hesitation towards "progress" of Ma Lanhua, Mérieux, Parajanov and Tarkovsky, who loves ruins, echoes Feng Menglong's aesthetics of fatigue in history, forming a meaningful artistic language community. Keywords: Feng Menglong, contemporary art, Ma Lanhua.