Проблемы литератур Дальнего Востока. Часть 2

Секция 5 • Panel 5 Проблемы литератур Дальнего Востока. Т. 1. 2018 170 by campfire is shown here as deprived of its original power, the ice does not get influenced by it — normal state of things in the world is broken. In pre-modern poetry we find many examples when negative situations are depicted through the picture of broken balance or abnormal functions of basic elements of the world. Many of the models likewise relate to oppositions: inner and outer, fast and slow etc. There are texts built on oppositions. E.g. one of the text by Jeong Hyeon-jong a part of the cycle “Saint Petersburg verse” composed after the famous poet visited Saint Petersburg State University. At the inner wall there is a flowers and leaves relief Outside of the window there are bright autumn leaves Ah, a harmonious chorus of nature and art! My heart is dancing, ah, beauty! As the author states, he was inspired by the scenery outside of the classroom where he was participating in the panel of the Conference dedicated to the 100 th Anniversary of Korean Studies in the University (1999). The first two lines are par- alleled with the help of the opposition “inside-outside” as well as with the phonetic similarity in the beginning and in the end of the lines: [an — byeok] [rillipeu] [chang — bak] [namunnip] This mode reflects the specific of the harmonious interrelations of basic opposi- tions ying and yang . Another commonly used type of models is time models in the texts. Some of them belong to time cycles, widely used in pre-modern poetry. This may be also a symbol associated with time (e.g. a bird or a plant). The above models often lay the foundation for the structure of poems, in which they are used in. Besides the described models, structural specifics of poems may be influenced by division into three traditional for pre-modern vernacular poetry. Starting from hyangga poetry (7–10 th century), this structural feature was applied by Goryeo gayo of the following period, and sijo verse of Joseon (1392–1897). The same division may be traced in contemporary poems, not necessarily on the level of stanza division. It may concern the level of contents, composition, or profound level of expressing the main idea of the text. Patterns of consciousness and understanding the world. This is the deepest level of the text mostly influenced by the mentality of the author and the author’s belonging to Korean culture. Basically, the above aspects also may be viewed in the same perspective as they serve a part of general understanding of the world. It concerns time and space, associations caused by certain elements of