Table of Contents
I
444
Проблемы литератур Дальнего Востока. Часть 1
• СЕКЦИЯ 1 • Жизнь и творчество Хань Юя • PANEL 1 • Han Yu and His Contribution to Chinese Literature
5
Chen Shulu. The Merchants Spirit and Literaturefrom Han Yu to Tongcheng School
5
Cherevko Marina. Elements of Autobiography in the Afterword of Ouyang Xiu “Notes to the Old Edition of Han [Yu] Writings”
12
Doronin Boris. Han Yu and His Fate in the Official Culture of Imperial China
24
Kirichenko Anastasia. “Service or Seclusion”: the Problem of Being Undemanded of the Confucian Scholar in Han Yu's Worksof the Zengxu Genre
30
Li Yijin, Li Meng. Chinese Ancient “Ether of Literature” (Wen Qi) Theory and HAN Yu’s “Appropriate Words from Strong Momentum” Theory
39
Lu Yanxin. On the Narration Characteristic of Han Yu’s Poetry
45
Muhametzyanov Rustem. Han Yu and His Contribution to Combating Buddhism
57
Terekhov Anton. Auspicious Omens in Life and Works of Han Yu
60
Zha Hongde. The Interpretation of Yuan Haowen’s Poetic Tenet from the Respect of Han Yu
72
Zhang Bing. Fish King as Reflected in “Ecological Equilibrium” Teaching of Han Yu
79
• СЕКЦИЯ 2 • Новые вопросы изучения классической китайской литературы в условиях глобализации и информатизации • PANEL 2 • New Tasks in the Study of Classical Chinese Literature in the Age of Globalization and Informatization
87
Berezkin Rostislav. Writing on the Mores of Native Place: “Records of Haiyu Customs” by Wu Shuangre (ca. 1889–1934)
87
Berwers Elena. The Movement for “Return to Antiquity” at the End of the Ming Dynasty
95
Borevskaya Nina. Artistic Methods as Means of Clarifying Voyages’ Mission: Luo Maodeng “Xiyangji” and Luís de Camões “Lusiads”
102
Bulavkina Iuliia. Description and Comparative Analysis of Preserved Copies of the Novel“Flowers in the Boat”
110
Ge Henggang. “Guangling Antiphon Poetry” and the Evolution of Jiaxuan Style in the Early Qing Dynasty
121
Ji Lingmei. The Ballads and the Literati in the Wu Area: A Case Study of Changzhou in the Qing Dynasty
135
Kobzev Artem. Misadventures in the West of Suffering Gao Qi
141
Korobova Anastasia. Criticism of Wang Anshi`s Poetry in “Poetry Talks” (the Case of “Poetry Talks of Shilin” by Ye Mende)
146
Kravtsova Marina. On Origins of the “Return to Ancient Literature” Concept in the Chinese Literary Thought
152
Kwong Yim-tze. Whither Classical Chinese Prosody?
158
Maiatckii Dmitri. The Use of Chenzi in Yuanqu of 13–14 Centuries
165
Mironova Tatiana. The Main Audience of the Genre Nihuaben by Feng Menglong
176
Mitkina Evgenia. The History of Creation of the Qing Poet Huang Jingren's Biographies
182
Semenenko I. I. Rhetoric of Yang Xiong as a Theory of Literature
187
Storozhuk Alexander. Liao Zhai’s Short Story “Hail Deity”: Historic and Literary Aspects
195
Toroptsev Sergey. Translation of Chinese Classical Poetry: Calque or Coauthorship?
203
Voytishek E., Osipov G., Salikhova E. The Translations of Chinese Manuscript of the X century «Dispute of Tea and Wine» (“Cha jiu lun”) of Dunhuang Library: New Understanding in XXI century
212
Vradiy Sergei. Qing Historiography about Lin Zexu (1785–1850): Traditions of Biography Genre
227
Wang Yun. The Theoretical form of The Modern Transformation of The Ancient Literary Theory
236
Xun Liu. Novel Readings of Chinese Classical Literature: Linguistic Approach to The Dream of Red Chamber
242
Yue Wei. The Influence of The Marriage Stories to Awaken Men upon A Dream of Red Mansion
250
Zavidovskaia Ekaterina. Wang Guowei`s Critique of Ci Genre “Talks of Ciin the Human World” Transformed from Popularizing Lecture into an Academic Book: How Changing Medium Affects the Content
256
Zhou Nengjun (Fudan University, China)The God of the Water, Good Medicine and Good Prediction:The Cultural Symbol of Spiders in the Medieval Era of ChineseAncient History
260
• СЕКЦИЯ 3 • Пути развития китайской литературы в XX и XXI веках • PANEL 3 • The Trends in Chinese Literature of XX and XXI Centuries
268
Bazarova Anna. On Cinematization of Contemporary Literature in China
268
Bukataya Anastasiya. Immigration Theme in the Works by Zhang Ling
272
Fang Wei. Chinese Literary Criticism: How to Deal with Network Literature
280
Ji Jin. An Open Space of Literary History
286
Khuziyatova Nadezhda, Kurako Julia. Chinese Literary Autobiography of the First Half of the 20th Century in the Historical and Cultural Context
293
Korenkova Olga. Psychologism in the Chinese Women's Prose (Bin Xin and Zhang Jie)
300
Lebedeva Marina. Contemporary Chinese Prose in Cultural Space of Belarus (Based on the Materials of The Cultural Project “World Literature” in “Neman”)
307
Lebedeva Natalya. Genre Features of the Prose of Northeastern China of the First Half of the Twentieth Century
313
Makhmudova Nozima. On Didactics in the Works of Contemporary Chinese Female Writer Bi Shuming
321
Nasimova Saodatkhon. Characteristics of the Development of Science Fiction Literature in China
327
Nikolskaya Svetlana. “Women`s Theme” in Literature as a Sociocultural Chinese Phenomenon
336
Ren Yi. French Education in l’Université l’Aurore and Training of Modern Chinese Literature Talents
340
Rodionova Oxana. Social and Ethical Deformation on the Way to Modern Dream: Reading “Twisted Fate” by Dong Xi
346
Sarek Katarzyna. Evil, Egoistic, Independent, Liberated — The Image of Woman in the Selected Works of Can Xue
358
Shapiro Roman. The Romantic Myth of the Orient: Chinese Motives in G. Puccini’s Turandot
365
Shataeva Natalia. Wang Jiaxin`s Poetry: Peculiarity and Themes
371
Shulunova Olga. Extensional Perception in the Poems of Han Dong
378
Sidorenko Andrei. Chen Zhongshi's novel “White Deer Plain” (1993) and the Chinese Literature of the 1990s
387
Sinetskaya Elvira. Cultural Revolution and Chinese Literature
396
Tsybikova Valentina. Philosophical Comprehension of Motherland Image in Haizi’s Poetry
400
Wang Yao. “Cultural Confidence”: Literature in Inheritance and Innovation
407
Zamilova Raisa. Lu Xun’s Contribution to Chinese Children’s Literature
419
Zang Qing. The “Individual” Dilemma in the Literature of the 1990s
428
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