Проблемы литератур Дальнего Востока. Часть 1

Новые вопросы изучения классической китайской литературы... Issues of Far Eastern Literatures. Vol. 1. 2018 429 consciousness. strategy, and then produced deformation, “personalization”, but in the process of “materialization” it goes to the opposite side. Under the collusion of consumer culture and official ideology, writing in 1990s went through further deformation. Consumer culture can play freely in art form and style. The government did not set up restricted areas in entertainment and commercialization. On the contrary, the government implemented uncompromising constraints and inventory in issues related “political tendency”, such as values and moral standards. Therefore, the official culture and consumer culture are interlinked and mutually utilized. Keywords: 1990s’ Chinese Literature; Personalization; Dilema; 臧晴 （苏州大学，中国） вखᑉҸ᭜ᄻЂⱙĆϿҏ࣫ć೅๘ ݈䬃䆢 ˖ҍॱᒤԓѝഭ᮷ᆖ њӪॆ ഠຳ ĀӪāǃĀӪᙗāǃĀӪ䚃ѫѹāᱟ ޛ ॱᒤԓ᮷ᆖо᮷ॆⲴสᵜ䰞仈ѻ аˈն൘㓿শҶ䮯䗮ॱᒤⲴĀҼ⅑੟㫉āѻਾˈ䘉Ӌ䰞仈৸൘ҍॱᒤԓ㻛䟽 ᯠᨀࠪˈ䘉аᯩ䶒ᱮ⽪ࠪ ޛ ॱᒤԓоҍॱᒤԓѻ䰤䳮ԕ࠶ࢢⲴᮤփᙗˈҏ൘ ਖаᯩ䶒䈤᰾Ҷˈቭ㇑ԓ䱵нᯝ㓿শ⵰ਈॆǃᴤᯠˈնĀӪāⲴ䰞仈࿻㓸ት ҾṨᗳൠսDŽ ൘শ㓿⿽⿽᣶䀓ѻਾˈᯠᰦᵏ੟㫉䈍䈝Ⲵ޵൘㔏аᙗ䗾ᶕҶ㠤ભⲴа ࠫˈĀњӪā൘ཊ ݳ Ⲵੁᓖѝ㻛䗵䙏ኅᔰDŽ ᒤⲴ᭯⋫仾⌒ሶĀњӪ ᭯ ⋫āⲴ৽ᣇṶᷦᖫᓅᢃ⹤ˈ ᒤⲴᐲ൪㓿⍾փࡦ᭩䶙৸֯ᗇĀњӪ ц ⭼āਆ㘼ԓѻ˖։ॾⲴlj⍫⵰NJǃਦ ݶ 䀰Ⲵlj ᒤⲴ⡡ᛵNJԕĀሿশਢā Ⲵᯩᔿᇎ⧠ҶњӪоশਢⲴሩ䈍ˈᕐ᢯ᘇⲴljᗳ⚥ਢNJǃਢ䫱⭏Ⲵljᡁоൠ උNJ ࡉ ԕՐ㔏Ⲵጷ儈㖾ᆖኅ⧠ࠪሩ⭏ભǃশਢⲴњӪॆᙍ㘳ˈᵡ᮷Ⲵljᡁ⡡ 㖾 ݳ NJǃօ亯Ⲵljᕏᕏ֐ྭNJ᧒䇘Ҷ⢙䍘⭏⍫ሩњӪ⭏ᆈⲴ仐㾶ᙗᖡ૽DŽቭ ㇑䘉ᵏ䰤䚝䙷ҶĀ৽઼ᒣ╄ਈāⲴഎⓟˈն䙊䗷њփ㠚ᡁ㓿傼઼փ傼ᶕ㺘䗮 њᙗⲴҖ ٮ߉ ੁᐢᡀѪнਟ䘶䖜Ⲵ▞⍱DŽⴤ㠣ц㓚ᵛˈ䘉⿽ĀњӪॆāⲴ ٮ ੁ൘ ᒤⲴĀᯝ㻲һԦāѝਁኅࡠᶱ㠤ˈަĀᶱቁᮠⲴǃ䗩㕈Ⲵǃ䶎ѫ⍱ Ⲵǃ≁䰤Ⲵǃ㻛ᧂᯕ઼䚝ᘭ⮕ⲴāⲴ᮷ᆖ⨶ᜣǃ⎸䀓Ā⧠ᴹ᮷ᆖ〙ᒿⲴ਴њ ᯩ䶒৺ަ䊑ᖱᙗㅖਧā 1 Ⲵ㓸ᶱⴞḷˈḷᘇ⵰ԕᐞᔲᙗѪṨᗳⲴњփ㻛᭮བྷ 1 丙ь˖lj༷ᘈ˖ᴹ ޣ Āᯝ㻲ā㹼ࣘⲴ䰞仈എㆄNJˈljेӜ᮷ᆖNJ ᒤㅜ ᵏDŽ