Проблемы литератур Дальнего Востока. Часть 1

Новые вопросы изучения классической китайской литературы... Issues of Far Eastern Literatures. Vol. 1. 2018 171 1) “The New water” ( 䴉䃯ᯠ≤Ԕ )  1 : ៦↤ᮺ ଝ஬஬ᆸ ᅯ ᵋ䝅㠪ˈ Every day I weep bitterly at the watchtowe , (t-ai 2 ), 11 (7) , ᒣ ҙҙҙ ᒣᒣᒣӴ ҙ Ӵᒣᒣ ᙕ❾❾ ᡟ 䇀Ӫㅹᗇˈ In a strong excitement wait for the enemy , (d-e 2 ), 8 (7), ᒣ ᒣᒣᒣӴᒣᒣӴᒣ ធ偠偠 ᯤ 䵗 㺤 䎠ˈ Slowly I walk among the gray fog , (z-ou 3 ), 7 (5), Ӵ Ӵᒣᒣ ᑈ Ӵ ҙ Ӵ 䏣ᖻᖻ ᮠ 付 ܧ ֶDŽ Gusts of wind are flying, knocking me down . (l-ai 2 ), 7 (5), ᒣ ᒣӴӴ ᑈ ᒣ ᑈ ᒣ ࠜ㺀䗮 䵗䧆䴢෻ˈ But stuck in this fog, hidden by its clouds, (m-ai 2 ), 7 (4), ᒣ ᑈҙҙ ӴӴᒣᒣ ᭋᦷ ⱙ 公兲ᘛDŽ Enraged [my] spirit is fast . (ku-ai 4 ), 6 (5), Ӵ ᒣӴ ᑈ ӴᒣӴ Let us explain the signs used in the strokes (on the example of the first line): ៦↤ᮺ — the chenzi are kept in bold (other words are basic); 1 48 treatises of different Chinese epochs were published in a book: ѝഭਔިᠿᴢ䇪㪇 䳶ᡀ , 1–10 ޼DŽेӜ˖ѝ഻ᡢᴢ⹄ウ䲒ˈ 1959 ᒤ (A compendium of theoretical treatises on classical Chinese drama. Vol.1–10, Beijing: Chinese Opera Institute, 19599)